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Focus:
Wendell Berry and the Work of Local Culture
Rufus Ernest Cook[i]
Dept. of FLL, National Cheng Kung University, Taiwan
When Salman Rushdie in his book Imaginary
Homelands refers to the migrant as “the central or defining figure of
the twentieth century” (277), he has in mind the fact that in the modern
world practically all human beings are uprooted and displaced, identifying
with no particular local cultural community. Instead of being educated to
stay at home to serve the needs of local communities, human beings are now
educated to leave home in pursuit of a career that, in Wendell Berry’s
words, turns them into “modern urban nomads” (Harmony 163), moving
from one standardized suburban home to another in quest of professional
advancement and recognition. Like everyone else in the alienated modern (or
postmodern) world, the most widely recognized and admired writers and
intellectuals are also now usually nomads and expatriates, individuals who
fled the rural towns and villages where they were born in order to seek fame
and recognition in metropolitan cultural centers like New York, Paris, or
London. That was the “career trajectory” of modernist writers like Pound,
Hemingway, Eliot, Wolfe, and Joyce, and it continues to be the pattern for
postmodernists like Rushdie, Kingston, Naipaul, and Coetzee. Not only do
such writers feel that they “belong to the planet” instead of one particular
local cultural community (Kingston 107), but they see little that is
negative in their lack of specific local roots. Indeed, local writers like
Willa Cather or Wallace Stegner are generally dismissed simply as “regional
writers” or “local colorists” in contemporary intellectual circles (McDowell
377, Love 230) while “nomadism,” “decentering,” and “transnationalism” are
touted as unqualified values by many of our most prominent intellectuals.
“We have floated upwards from history, from memory, from Time” (Rushdie,
Shame 91), and despite the deepening environmental crisis in which we
now find ourselves, few literary scholars seem to see a problem in that
fact......<More>
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